|
|
|
The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses by: Laura U. Marks, Dana Polan January 19, 2000
|
|
Pulp Fiction (BFI Modern Classics) by: Dana Polan January 22, 2008
|
|
Scenes of Instruction: The Beginnings of the U.S. Study of Film by: Dana Polan April 24, 2007
|
|
The War Film (Rutgers Depth of Field Series) from: Rutgers University Press November 30, 2004
|
|
Pictorial Nominalism: On Marcel Duchamp's Passage from Painting to the Readymade (Theory and History of Literature) by: Thierry de Duve October 01, 2005
|
|
Power and Paranoia: History, Narrative, and the American Cinema, 1940-1950 by: Dana B. Polan 1990-04
|
|
Julia Child's The French Chef (Spin Offs) by: Dana Polan August 12, 2011
|
|
The Sopranos (Spin Offs) by: Dana Polan February 20, 2009
|
|
American Cinema of the 2000s: Themes and Variations (Screen Decades: American Culture/American Cinema) from: Rutgers University Press April 09, 2012
|
|
In a Lonely Place (BFI Film Classics) by: Dana Polan February 01, 1994
|
|
1 2
|